Arts and Crafts Garden design (2024)

Elements of Arts and Crafts Garden Design

Elements of Arts and Crafts Garden Design
1. A Unity of House and Garden
Gardens by Edna Walling:
2. Use local plants and local materials
3. Freedom of Growth
The garden of Sandra McMahon
4. Naturalistic Colour Schemes
Natural Designs by CFA Voysey:
Read more about Voysey textile designs
5. Outstanding period garden designs in Australia
6. Love of Gardening
7. Gates, views and surprises
8. Barry Byrne and Miguel Alvarez, Bebeah, Mt Wilson NSW
9. Edna Walling Garden Designs
10. Melbourne’s Garden designfest 2017
11. ‘Yin and Yang’
12. Use of complementary colours
13. Harmony and Contrast
14. Dry Climate Gardening

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Related:Edwardian Heritage Gardens

Gertrude Jekyllapplied Arts and Crafts principles to garden design.

She worked with the English architect, SirEdwin Lutyens, for whose projects she created numerous landscapes, and who designed her homeMunstead Wood, near Godalming in Surrey.
Jekyll created the gardens forBishopsbarns, the home of York architectWalter Brierley, an exponent of the Arts and Crafts movement and known as the “Lutyens of the North”.
The garden for Brierley’s final project,Goddardsin York, was the work of George Dillistone, a gardener who worked with Lutyens and Jekyll atCastle Drogo.
AtGoddardsthe garden incorporated a number of features that reflected the arts and crafts style of the house, such as the use of hedges andherbaceous bordersto divide the garden into a series of outdoor rooms.
Another notable Arts and Crafts garden isHidcote Manor Gardendesigned byLawrence Johnstonwhich is also laid out in a series of outdoor rooms and where, likeGoddards, the landscaping becomes less formal further away from the house.
Other examples of Arts and Crafts gardens includeHestercombe Gardens,Lytes Cary Manorand the gardens of some of the architectural examples of arts and crafts buildings (listed above).

1. A Unity of House and Garden

The holistic approach of the Arts and Crafts Movement called for a graceful, gradual transition from House to Garden, often extending to the wild landscape beyond.

Plan of house and garden at Warrawee (Merriwa) Toorak (1906-1909) designed by architect Walter Butler.

GARDEN ROOMS:

Most often the Arts and Crafts approach was that interior spaces opened onto Garden Rooms, defined by arbours, trellis screens, hedges, alleys of trees or more formally by stone or masonry walls (eg Edna Walling)

Gardens by Edna Walling:

2. Use local plants and local materials

Such as boulders, local stone in fences, and indigenous (native) plants.

Designer Gertrude Jekyll (rhymes with ‘treacle’) recommended studying local conditions so the garden design has distinct natural character.

Gertrude Jekyll was a British horticulturist, garden designer, artist and writer. She created over 400 gardens in the United Kingdom, Europe and the United States

Although the science of ecology was unknown in Gertrude Jekyll’s day, Jekyll recognized that underlying rock influenced which plants would successfully grow in a particular area.

Jekyll and co-writer Weaver did not suggest that that gardens must be restricted to only regional native plants, but these native plants must be ‘well represented’.
An enthusiasm for old-fashioned plants was evident in Arts and Crafts gardens with a nostalgia for for rural garden traditions, represented by hollyhocks, shrub roses, and narcissus, as well as orchards.

3. Freedom of Growth

Arts and Crafts Style rejected earlier Victorian formal andGardenesque Styles, especially large garish flower displays and extreme hedging styles, which latter date back to the Medieval herb gardens.

InsteadWilliam Robinson, author of the ‘Wild Garden’ book (1870), embraced the natural growth of plants, without fine clipping.
Plants should be allowed to self-seed and naturalize in a garden celebrating the loose and natural flowing of plantings.
Gertrude Jekyll promoted the marriage of formal layout and naturalistic plantings,
Clipped yew hedges were still approved for the creation of garden rooms, and straight stone walkways were still used.

The garden of Sandra McMahon

Sandra is a well-knownMelbourne garden designer.John Patrickvisited for theABC in 2015and remarks that “It’s native in the front and then there’s a wonderful lush, exotic garden in the back. It’s quite fantastic. You don’t get any hint of this from the front,” he says.

“I feel it’s all about mystery and escape,” says Sandra. “I’m always trying to help people lose their orientation a little bit in a garden because I think that that’s very helpful for relaxing in a garden and that’s what a garden should be about.”
John says Sandra not only likes design but also loves and knows her plants. “Well, I do emphasise the use of plants for structure in all the gardens that I design, so I use a wide palette of plants.
Read more:Arts and Crafts ethos reborn in Kilsyth garden,Gardening Australia – Fact Sheet: Playing With Plants – ABC

Sandra McMahon – well-known Melbourne garden designer in her own garden ‘Woodcote’

One plant that’s caught ABC’s John Patrick’s eye is a particular Iris. “That’s Iris pallida ‘Variegata’ (Zebra Iris – Iris pallida ‘Argentea Variegata’),” says Sandra, “which I really think is a four-season plant. The foliage is fabulous for most of the year and the eye-catching bluish-mauve flowers are a bonus.”

He also admires her purple Honeywort. “It’s Cerinthe major (Honeywort, Cerinthe major ‘Purpurascens’),” she says. “I just scattered the seeds and it’s just come up everywhere. I love that effect!

Click through to view an ABC video of Sandra McMahon

Something that I particularly like about it is these beautiful blue and magenta colours, so I deliberately put it near these Rugosa Roses (Rosa ‘Roseraie de l’Hay’). I think it’s all about things calling from one part of the garden to another part.”

4. Naturalistic Colour Schemes

Arts and Crafts generally embraced the more subtle hues and colour cylcles found in Nature.

William Robinson in “The English Flower Garden” wrote that ‘Nature is a good colourist, and if we trust her guidance, we never find wrong colour in wood, meadow or mountain.’
Charles Francis Annesley Voyseywas an English architect and furniture and textile designer. Voysey’s early work was as a designer of wallpapers, fabrics and furnishings in a simple Arts and Crafts
Voysey advocated taking cues direct from nature’s colours and sequence: “…nature never allows her colours to quarrel, (her) harmony is everywhere..”

Natural Designs by CFA Voysey:

5. Outstanding period garden designs in Australia

The most famous Arts and Craft garden in Australia is at Carrick Hill in the Adelaide foothills of SA.

Sophie Thomson explored the gardens for ABC TV with Richard Heathcote, the Director of Carrick Hill. Click through this link to view the TV Interview:http://www.abc.net.au/gardening/stories/s4659890.htm

Gardening Australia – 29/04/2017: Carrick HillSophie visits one of Adelaides favourite historic garden properties Carrick HillABC.NET.AU
The 40 hectare manor garden was created by Edward and Ursula Hayward in the 1930’s, modelled on the extensive gardens on the ‘Arts and Crafts’ style that were developed in the 19th Century.
The style emphasises

the use of locally sourced materials from the garden, to create
garden rooms or compartments where different shrubs and plants are grown for different interest.
Plants with ancient histories or folklore were particularly valued.

The Hayward couple lived at Carrick Hill until the 1980’s when the property was then bequeathed to the people of South Australia.

Other period gardens are at Malmsbury in Victoria and at Anlaby SA – see the ABC TV videos below:

6. Love of Gardening

The Garden of Lucy Culliton:(FromThe Planthunter)

Lucy’s garden is wild and abundant. It’s a space to meander through slowly – offering incredibly beautiful vignettes on both macro and micro levels. It’s also, most importantly, a window into the world of Lucy Culliton.

Gardens are expressions, not show-ponies. They only have to suit the hand that nurtures them, and if they do, well, that’s that. Nothing more needs to be said.“I like nurturing,” Lucytells me when I ask her what draws her to gardening. This is clear, but it’s also clear she likes hard work.

Gardening is a mental exercise which is different to painting. It’s something that’s never finished and I never intend it to be finished. It’s hard work but it pays off – I think it just suits me.”

7. Gates, views and surprises

The Arts and Crafts garden was full of mystery, surprises and light and shade effects.

Gates: Moon Gates were installed as exotic inspirations, or a distant gate could open to a new view
Keyhole views: surprises and tiny views through windows or gaps
Vistas: Walk around a corner on the path and find a surprising view
Windows: glimpses of garden views from house windows and the clever use of mirrors in garden design

Recycled window frames used as a garden feature. A frame at the end of the path offers more mystery. Can you find a mirror used here?

8. Barry Byrne and Miguel Alvarez, Bebeah, Mt Wilson NSW

Bebeah is open every day from 10am – 5pm. It’s a great garden, and well worth a day trip from Sydney. Entry is $8.00.

Barry Byrne is a man of vision. When he and his partner, Miguel Alvarez, moved to ‘Bebeah’, a five-hectare garden estate at Mount Wilson in the Blue Mountains of NSW, he says there was nothing except a few large trees. That was 30 years ago.
While he has a background in interior decorating, Barry had no previous gardening experience before moving to Mount Wilson. He just got stuck into it, using his finely honed spatial design skills to craft the garden. ‘I started at the front gate and designed until the money ran out,’ he tells me.
The garden is grand. It’s comprised of a series of formal elements – a sweeping semi-circular azalea walk, avenues flanked with pine, oak, and elm trees, and plenty of hedges.

It’s not, however, a typical formal garden in the sense of a contrived structure imposed on the landscape.It’s more interesting than that.

The garden meanders around the site, loosening as it gets further away from the house.
The scale is impressive, as is Barry’s eye. Antique sculptures and garden elements frame vistas and provide focal points, enticing visitors to keep on exploring.

Read more:
Barry Byrne and Miguel Alvarez – The Design Files | Australia’s most popular design blog.THEDESIGNFILES.NE
Barry Byrne and Miguel Alvarez

Barry Byrne is a man of vision. When he and his partner, Miguel Alvarez, moved to‘Bebeah’, a five-hectare garden estate at Mount Wilson in the Blue Mountains of NSW, he says there was nothing except a few large trees. That was 30 years ago, and in the decades that have since passed, together this pair have re-established the property. The garden was originally built in 1880 by Edward Cox, and these days is once again open for the public to enjoy.

9. Edna Walling Garden Designs

FromTantamount, which produced an Edna Walling website, produced with the assistance of the ABC and Cinemedia Multimedia Production Accord in association with the State Library of Victoria.

Edna Walling, 1966 Portrait by Daphne Pearson	dna Walling was born in Devonshire, England. A determined tomboy, she was a unique and feisty character. Her career was forged when a woman’s place was supposed to be in the home. Edna was more likely to build the home!
	See‘Person’to find out about the private life of Edna Walling.

dna Walling is one of Australia’s finest and most influential landscape designers. She was also a popular writer, a talented photographer and a charismatic personality.

Self Portrait

**Self Portrait**[50 K]

Dry Stone Wall Softened by Planting

Kiloren, Crookwell, New South Wales

Edna Walling’s Garden Plan for Danglow

Rough Sketch of Garden Plan
for Rev. J. Danglow. Inverleith Ave, St. Kilda[167 K]

Walling’s style changed very little throughout her career, however each garden is unique.

She is renowned for her use of stone, especially in low fences or walls and steps, where moss was encouraged to grow.
Dense greenery with few flowers, and a naturalness that softens and unites the garden to its house, also identifies Walling’s gardens.
Her aim was always to create unity between the house and the garden.

Edna Walling’s basic design principles were based on a set of design ethics:

Sonning: Piazza From Sitting Room

ork with existing landscapes and existing features, such as slopes, rocks and trees
Begin by ‘sculpting’ the surface of the land, preferably not levelling it
Create a unity between the house and the garden
Use architectural principles to structure the garden and soften with dense planting
Individually design for each house and garden and the needs of the clients
Keep garden maintenance to a minimum.

Edna Walling had a free and easy attitude to garden maintenance and she believed that every window of a house should have a view of the garden, to create the effect of bringing the garden into the house.

Maintenance would appear to be of first importance in the planning of a property. Secondly, the idea that the atmosphere should be restful, suggesting peace and quietness and relaxing should be aimed at.

Walling has influenced many home gardeners through her articles in the Australian Home Beautiful and her popular gardening books. It is her ideas and vision as much as her gardens that are Walling’s design legacy.

Peter Watts, author of “The Gardens of Edna Walling” identifies three main Walling garden styles:

Informal cottage – e.g. the gardens of Bickleigh Vale village
Structured – used in suburban blocks – a blend of cottage in the front garden and geometric in the back garden
Formal geometric – used on large blocks and estates e.g. Mawarra and the garden of Ringland Anderson

Kiloren, Crookwell, NSW- Garden View from Roof

dna Walling grew up in England. Walks with her father across the moors introduced the young Walling to the low growing shrubs, gravel paths and the quaint cottages of Devonshire, leaving a lasting impression. Walling’s landscape designs developed from the English style, exemplified by the designer Gertrude Jekyll.

Jekyll was influenced by the Arts and Crafts movement which sought to blend the arts. She endeavoured to unify the garden with architecture, as did Walling:

So much money is spent on the house and then it often is left without any connecting link with the land… The garden should be built first, forming the setting for the house which should then be linked up with it.

At a time when Australians loved all things English and when English migration was at its peak, Walling’s English style designs complemented the stately manors that were fashionable during this era.

However Walling was also influenced by Spanish and Italian gardens. Their use of stone and water, terracing, pergolas, courtyards and paving were an inspiration. In the forties she commented:

It is really rather amazing that we have copies of the English style rather than Spanish and Italian because in this climate, protection from hot winds is essential to civilised living.

Edna Walling was confident and determined. At 26 years of age, she decided to build an English style village and home for herself. Bickleigh Vale village is a striking example of her design flair and strength of vision.

Walling built and designed several more village houses. Simple cottages beautifully integrated with the landscape

See‘Homes’for more about Bickleigh Vale
Bickleigh Vale, Mooroolbark, VictoriaDownderry, Bickleigh Vale[59 K]

Copse of silver birches

Downderry, Bickleigh Vale

Over the years, Walling increasingly used native plants in her designs. This was probably the most significant shift in her approach. Glen Wilson, a former student of Walling’s recalls:

…she was keen on establishing stands of birches. One day during a ‘lesson’ I asked her if she thought the white trunks of birches and eucalypts could be acceptable together. She answered, “Perhaps, but why use the birches?” This illustrates the complete turnaround of her attitude in later years.

Her garden plans developed in style but eventually she was content to draw a simple plan on paper and hand it to those who had worked with her for many years. They knew what she wanted.

Herbaceous border

Kiloren, Crookwell, New South Wales
See‘All Plans’for more about Walling’s plans.
Many of Walling’s garden plans are works of art in themselves, painted in soft watercolour and outlined in ink, bringing her ideas to life.

Garden Plan, Danglow

View of Garden with Pool

**Rough Sketch of Garden Plan****for Rev. J. Danglow, Inverleith Ave, St. Kilda**[167 K]

alling created ‘rooms’ in her garden plans. A room may be for the vegetable patch, to encompass a pool, as a place of repose or to be used as a formal space. She often used pathways to connect the garden’s ‘rooms’ creating a romantic feel as each is discovered.

Kiloren, Crookwell, New South Wales

alling encouraged the view that gardening was meant to be relaxing, enjoyable and rewarding. Gardens that were fastidious and time consuming were discouraged. Plants that spread and required low maintenance were appreciated for their hardiness and low maintenance.

Garden Thyme (Thymus vulgaris)

Gardens that are low in upkeep and yet grow more beautiful with the years are usually those that have been architecturally built.

Most of her gardens required the very practical vegetable patch.

Of course there are flowers in your vegetable garden – there always are in a good kitchen garden…

Garden Thyme (Thymus vulgaris)[18 K]

10. Melbourne’s Garden designfest 2017

Once again Garden designfest showcased spectacular gardens featuring the work of some of Victoria’s most acclaimed garden designers.

Garden designfest was run over two full weekends with Melbourne and the Peninsula on the first weekend and a fantastic selection of regional gardens on the second weekend. Melbourne and Peninsula November 11 & 12, Rural Areas November 18 & 19
As always, the designers and their staff were on hand at their respective gardens to chat to the public.

11. ‘Yin and Yang’

Garden designer Gertrude Jekyll’s plant combinations are legendary: the beauty of two plants carefully juxtaposed shows that one plus one equals far more than two.

Gertrude Jekyll combined: Discipline + Generosity, Harmony + Contrast.
She pioneered ‘planting in drifts’ so that plants in flower at any one time built up into colourful compositions. Earlier and later flowering plants fade into the background.
Bulbs like jonquils and daffodils were interplanted with ferns, so the older stems were hidden under the foliage.

12. Use of complementary colours

Garden Designer Gertrude Jekyll believed in harmonious colour planting, a horticultural ‘theory of relativity’, based upon her training at the Kensington School of Art (UK).

There she would have learnt of the colour wheel invented by Isaac Newton and elaborated since by various painters.
The saturation of the eye with one colour so that its complementary colour would then be seen in advanced brilliance was the basis of Miss Jekyll’s management of colour contrast.
Read more:https://en.wikipedia.org/wiki/Complementary_colors

13. Harmony and Contrast

Garden Designer Gertrude Jekyll knew that both planting form and texture were as equally important as colour planning.

Miss Jekyll understood the need for a prevailing sense of harmony, within which were contrasts in form and texture, to excite the the senses of the visitor.

14. Dry Climate Gardening

Lambley Nursery, near the central Victorian town of Ascot, is a highly regarded plant nursery renowned for growing and sourcing dry climate plants. According to Criss, the temperatures at Lambley range from -8° in winter to 47° in summer!

With David Glenn they have transformed 5 acres around the house from windswept, flat farmland into a thriving nursery business and a large rambling garden full of plants that are perfectly suited to the harsh surrounding environment.
‘Every morning when I walk out the front door, beauty greets me,’ says artist Criss Canning when describing her home and garden. Read more:http://theplanthunter.com.au/…/plant-life-criss-canning-da…/